Shortly after, iconic images began to make their way onto the Blotter Paper, which allowed dealers to put their own logo on the acid they were selling. In comes Blotter Art: In the 1960’sīlotter Acid began to make an appearance on the streets as far back as 1967 in the UK and in USA a little later. Therefore a drug dealer busted with one dose of acid on a sugar cube that weighed 1 gram would get the same sentence as a dealer caught with 1 gram of LSD crystal, which would represent about 10,000 doses of LSD! It didn’t take a genius to figure out that a new, lightweight, medium for distributing LSD was needed. These laws placed mandatory sentences on drug offenders based on the weight of the substances with which they were caught. Sometime after LSD became illegal, mandatory minimum sentencing was set into place. As a bonus, the dealers would get a kick out of the buzz created by their “brand” of acid. This also served as a form of a validation of authenticity, proving that the dealers were not selling fake LSD. The chemists would make the pills a certain shape or color as to set them apart from others, especially if they were packaging particularly potent dosages. Dealers began to want their “batch” of LSD to be recognizable from the others, so they began to invent ways to trademark their acid. It was also sold on anything from sugar cubes to animal crackers. In the 1960s, when LSD was legal, it was distributed in large pills, sometimes called “barrels” because of their shape. The artwork is printed onto “blotter” paper and then perforated into tiny squares or “hits,” which can be torn apart into easy to manage quantities. Blotter Art is a term that refers to the artwork that liquid LSD is dropped onto.
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